About
Oedipus in the District is a two-act, seven-scene opera originally commissioned by The Juilliard School’s collaborative opera-composition program, OperaComp. With a libretto written by Mike Lala and music composed by Joshua Getman, opening-scene previews were presented in 2018 at The Juilliard School and National Sawdust, performed by Charles Sy (Oedipus), Lydia Graham (Antigone), and Conor Ouly (Anchor), with stage direction by Arthur Makaryan. Jesse Brault conducted the National Sawdust performance.
The text of Oedipus is a slant translation of Sophocles' Oedipus at Colonus and exists in full as a libretto with full staging notes. It is currently being scored for a small chamber ensemble of violin, cello, flute, clarinet, and piano, and will feature pre-recorded music, voice, and immersive sound design in tandem with live performance.
“Breaking news specials flash on the back screen of the performance. In general, Oedipus, Antigone, and the news editor-in-chief play their drama against the backdrop of television screens, flashes and spotlights - all these iconic manifestations of today. An interesting and unexpected reading of the ancient Greek tragedy [that] plunges the spectator...into complete delight!”
Upcoming Performances
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- July–August 2020 Grimeborn Opera Festival London, United Kingdom World Premiere Run
Past Performances
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- July 2019Armenian National Opera Young Artist ProgramYerevan, ArmeniaWorkshop of Act I, Scene 1
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- April 2018National SawdustBrooklyn, N.Y, U.S.A.Performance of Act I, Scene 1
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- March 2018The Juilliard SchoolNew York, N.Y, U.S.A.Premiere of Act I, Scene 1
The Plot
But Antigone misses glittering Thebes (and her heartthrob brother Polynices), and as Oedipus turns his sights on the city that exiled him, a prophesy extending the family curse threatens to upend his revolution. Reinventing Sophocles' Oedipus at Colonus and inverting the Oedipal impulse toward female agency, Oedipus in the District is an opera about rhetoric, family, wealth, and power—how power given can't easily be taken back, and power taken can't easily be kept.
Creative Team
Librettist
Mike Lala
Mike Lala is the author of Exit Theater (Colorado Prize for Poetry 2016), Twenty-Four Exits: A Closet Drama (Mary and Leigh Block Museum of Art 2016), In the Gun Cabinet (The Atlas Review Chapbook Prize 2016), Infinite Odyssey(Pioneer Works 2017), and Oedipus in the District(Juilliard's OperaComp/National Sawdust, 2018). Poems appear in BOMB, Boston Review, Fence, The Brooklyn Rail, Denver Quarterly, and Hauser & Wirth’s Ursula. He's presented work across the U.S. and Canada, at the 92nd Street Y (for Anne Carson's Tenth Muse), The Poetry Project at St. Mark's Church, the Whitney Museum of American Art, and the Metropolitan Museum of Art of New York City. He grew up in the western United States and Tokyo, and lives in New York. He is represented by Jamie Carr of William Morris Endeavor.
Composer
Joshua Abraham Getman
Joshua Abraham Getman (b.1993) is a composer, producer, and sound designer based in New York. An alumni of The Juilliard School (BM 16’, MM 18’), he has written multiple large orchestral works, chamber pieces, and projects for the recording studio. In 2018, Josh scored the short filmElephants Purr Like Cats Do, which was screened at the Keylight LA Festival, and the digital-mini series First Lady Problems, currently streaming on Revry. In 2019, Josh began working for the sonic branding agency Man Made Music and is currently a freelance audio editor and composer for them.
Director
Arthur Makaryan
Conductor
Jesse Brault
Jesse Brault is a conductor and composer residing in New York. He studied orchestral conducting at the Juilliard School with Maestros Alan Gilbert and James Ross, graduating in 2018. Making his Carnegie Hall debut in 2019, Jesse appeared with Carnegie Hall’s Ensemble Connect, leading a performance of John Adam’s Chamber Symphony. He has also appeared with the Orlando Philharmonic, accompanying their music director Eric Jacobsen in a performance of Dvorak’s Silent Woods. A composer himself, Jesse is particularly passionate for conducting new compositions; he appeared at National Sawdust in 2018 leading newly-composed opera scenes by Joshua Getman and Sam Wu (including Oedipus in the District), and has conducted the premieres of many of his peers’ compositions.