BLACK GARDEN by Gordon Penn


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Theatre has the ability to ask questions and expand on issues in ways often unexplored in the media. Black Garden hopes to start a conversation on an ongoing socio-political conflict that has consumed its warring parties, but gone almost undiscussed in the international arena.

About Black Garden

Two warring nations, Armenia and Azerbaijan, cling to a legacy of mutual hatred. But what does it cost to maintain the divide? What is the price of living inside the animosity?

Inspired by real historical events in Nagorno-Karabakh, an Armenian enclave inside Azerbaijan, where over 30,000 soldiers were killed between 1988-1994, Black Garden is a theatrical collage that portrays the harrowing landscape of an Armenian woman’s trauma. She is haunted by the memories of a lost lover, while two glutinous buffoons and self-serving leaders contrive to abuse their countries for their own personal power, a man is imprisoned and interrogated for unknown crimes, and a handful of diaspora Armenians are looking for love and their identities.

A piece in development

Set against an ongoing geopolitical conflict, Black Garden is always evolving to embrace the current political narrative. Since 2017, the piece has seen several iterations, and has currently landed into the form of a two-hander (needing only two actors), geared for touring. One of the most exciting aspects of this process is the active collaboration between the playwright, director, actors and design team to create, discover and flesh out the truest form of this play. And you get to join us on this adventure.

About the artistic team

Arthur Makaryan is an emerging NYC-based Armenian theatre and opera director, and recent graduate of the Columbia Graduate School of the Arts and Juilliard Opera Directing Fellowship. He has worked all over the world, under the tutelage of Ann Bogart, Stephen Wadsworth and Tadashi Suzuki, among others.

Gordon Penn is an American playwright who met Arthur Makaryan at Columbia. Also a recent graduate of the CU School of the Arts, Gordon’s experience within the American military and his newfound closeness with the Armenian artistic community have given him an extraordinary and original in to the topic.

Featuring: Tamara SevuntsRobert Najarian, dramaturged by Elizagrace Madrone, set and lighting design by Kelvin Pater, costume design by Nina Vartanian, sound design/music by Jacob Sachs-Mishalanie 

The impact

Theatre has the ability to ask questions and expand on issues in ways often unexplored in the media. Black Garden hopes to start a conversation on an ongoing socio-political conflict that has consumed its warring parties, but gone almost completely undiscussed in the international arena.

The Théâtre de l’Opprimé is the perfect venue for Black Garden as both the theatre and the project deal with current issues. We are delighted to be part of a program that includes emerging companies from the Strasbourg National Theatre, the National Conservatory of Paris, l’ENSATT de Lyon, etc.

About your contribution

Black Garden has been officially selected for the Pleins Feux sur la jeune création festival in Paris at the Théâtre de l’Opprimé (Theatre of the Oppressed), for 7 performances, September 5 - 9, 2018.

Our budget is $10,000. Your contribution will help with:

  • Building the elements of performance such as costume, set and sound, etc.
  • Travel expenses for our team: flights to/from Paris, accommodation.
  •  Modest compensation for our team of emerging and established artistic professionals.
                                • For donations, please visit our Indiegogo crowdfunding page
                                • DONATE

Photos from the workshop production in 2017. Photos by Gordon Penn






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